Friday, September 08, 2006

The Libertine

Although my goofing off yesterday should have been its own reward, I further rewarded my bad behavior by plunking my posterior in front of the large screen and watching "The Libertine" on DVD.

In preface--I don't care for sad movies. I choose to write erotic romance rather than straight erotica, or for that matter, any other genre, because my psyche requires the guaranteed soft edge of a HEA. So, I avoided this film at the box-office. Also, the prosthetic nose Johnny Depp wears in the latter part of the film made me wary. I didn't think I could bear seeing images of pre-antibiotic, syphilitic ravages. Then too, the reviews of this film were mostly poor.

I'm glad I put my misgivings aside and watched "The Libertine" -- if only for three reasons.

Johnny Depp. Johnny Depp. Johnny Depp.

The man is a truly talented . . . no, make that a brilliant . . . artist.

As was, evidently, the self-destructive character he portrayed in the film.

I'm not familiar with the history of the egocentric anti-hero, John Wilmot, second earl of Rochester, so I'm not sure what part of his cruelty was disease/alcoholism induced, how much was a result of long standing anger/cynicism/self-loathing, but without vanity or sugar-coating, Depp masterfully uncovers the soul of this tortured man. Depp's body language, facial expressions, props etc, all reflect the character's progressively deteriorated state of mind.

As to the movie--there was nothing pretty about the story, nothing one would classify as "enjoyable". However, the bawdy language, the sly and witty dialogue, the ambiance--costumes, sets, gritty mood--all felt historically accurate. Whether or not the plot took liberties with the biographical truth, I can't say, but within the borders of the film, the story, once again, felt, realistic--if a bit rushed. Not knowing the political history of the era, I could have used more background info. Also, the sound quality was not the best. I missed a pertinent plot point due to the 'underwater' mumbling. In a film like this, with such rich language, the ability to hear clearly is so important!

I would suggest renting the DVD just for Depp's prologue and epilogue soliloquies. He's clearly in his element in this period piece.

Louisa

Thursday, September 07, 2006

Authorial Inspiration In My Own Backyard

In answer to the question: Where do I come up with my story ideas?



Pretty-boy model types don't do it for me. Naughty nudies of males posing seductively for the camera lens leave me cold. Narcissistic and neurotic actors only make me wince. But real-live outdoorsy working guys? Yep, my fantasy life kicks into over-drive.



I had a 90 foot crane in my yard today, a claw, and several related logging trucks. Oh, and six brawny guys there to take down 8 monster trees. Needless to say, my fingers never touched the keypad.

This does not mean I wasn't working. The fact is, I was working feverishly.

Look for an erotic romance featuring hard-hat wearing, chain saw wielding, lumberjacks in the near future.

Louisa

Saturday, September 02, 2006

Progress Report III

My writing life is pretty much an open book (ugh!)so same rules as before apply here: Feel free to peek but these boring details are primarily to keep me on track. Neurologically speaking, list-making helps me stay organized. Believe me, I need all the help I can get. My brain is all over the place.

(1) CAPTIVE--signed Loose Id contract, no publication date as yet. (Re-release. Erotic. Medieval. BDSM)

(2) ON MOORSTEAD--finished last swipe Friday, handed in for editorial review the same. (New book. Paranormal. Medieval. Erotic. Shape shifter/Witch. BDSM. )

(3) LOST ANGEL--cover received, posted on blog, web site updated to reflect the same. (Re-release. Erotic. Contemporary. Suspense. Pub date Nov.)

(4) THE ACQUISITION--revision completed, needs one more swipe before submission. (Re-release. Historical. Erotic. American Victorian. BDSM)

(5) SOME ROUGH EDGE SMOOTHIN'--revision completed, needs one more swipe before submission. (Re-release. Multi-cultural contemporary. Erotic.)

(6) THE PICKUP LINE--revision completed, needs one more swipe before submission.
(Re-release. Contemporary. Erotic. BDSM)

(5) and (6) are companion books: Need to go to same publisher.


I keep plots on file. Whenever an idea pops into my head, I add it to the collection. For example, John's story from TAINTED LOVE (Doyle Donovan's brother). Currently, there are enough stories to keep me busy for the next hundred years or so.

Which explains the need for list keeping.

Louisa

Tuesday, August 29, 2006

LOST ANGEL




Cover by S.L. Carpenter and I'm mightily pleased. LOST ANGEL releases with Samhain in November.

I'll be scarce this week. Pushing hard to get ON MOORSTEAD off to an editor.

Louisa

Friday, August 25, 2006

Phooey!

Heard from eldest son, the software engineer . After working 22 hours straight, thus preventing a contracted site from crashing, the company VP gave him a day off from work . . . and a 20% boost in pay. Evidently, the lad saved his company a bundle. To celebrate, I offered him an ice cream outing of his choice . . .

Phooey!

Okay, I admit it. The kid doesn't care about ice cream. The offer was a cheap ploy to go off my diet. But I'm desperate, here. Life is short, right? And I did pedal those 5 extra minutes on the stationary bike today. The effort alone has to be worth something, deserve some sort of reward . . .

Phooey!

Anyway, to get my mind off food, I'm lining up movies for the weekend. "The Illusionist" looks good. Three stars from The Boston Globe. The cast includes Edward Norton, Jessica Biel, and Paul Giamatti. The film is a period piece--1900 Vienna--playing at my fave artsy fartsy theatre, around the corner from which is the very best homemade ice cream shoppe in the whole wide world . . .

Phooey!

Did I tell you I handed in CAPTIVE last week? Well, I did. Got tired of waiting for NYC and decided to move the manuscript out. I get an awful lot of emails about CAPTIVE, and I want the book read, not just sitting on my hard-drive. No word yet from the editor. You know, if I hear positively, I really should give myself a little pat on the back, don't you think? Mint chip ice cream comes to mind . . .

Phoeey! (Expletive misspelled due to hunger pains.)


Next to go out for editorial review will be ON MOORSTEAD. I haven't had a new ebook out for . . . well, far too long.

And that about describes how long I've been on this damn diet.

Phooey!


Louisa

Thursday, August 24, 2006

Potty-Mouthed Fems (On Writing POV)

As I was pedaling along on my stationary bike, going nowhere fast, (Analogy, anyone?) I turned on the tube just to keep from gnawing through my lips from the sheer boredom of exercising. Coincidental to today's POV blog, "The Today Show" featured a "Seventeen Magazine" editor discussing teen girl speak. The article in her mag contends that--I'm paraphrasing here--incivility is rampant among young ladies. That this segment of the population routinely calls one another by the "B" word and the "W" word. (My youngest son and his girlfriend later confirmed this and, for the sake of my informal research, added the "C" word to the list.)

The editor went on to express concern that young females are becoming increasingly like young males, and not in a good way. That the same drinking, drugs, aggressive and competitive behavior commonly associated with a testosterone burst is also showing up during the blossoming of estrogen. She put forth the hypothesis that this might mask or, be a symptom of, sexual fear/gender confusion among girls. The editor went on to theorize how these male characteristics might later impact the lives of these individual girls and society as a whole.

Interesting stuff! This goes well beyond the usual feminist perspective of choice, of the "super woman mystique" of having it all. Suppose, just suppose, young women turn their back entirely on their own biological determinism.

Imagine, if you will, a world completely devoid of nurturing, of softness, of all feminine-associated sensibility. Where every woman projects a "kickass" persona. The prospect has all sorts of far-reaching ramifications.

Great food for thought here, and believe me, I eat this stuff up. (Sorry! I'm dieting, so all my metaphors, similes etc. tend to be calorie related.)

Anyway, I could literally go on and on about the issues put forth in this article. But this blog is about writing, not about sociological implications. Regardless of what side of the issue I fall on, how does this information on gender-confused, potty-mouthed fems, impact the books I write?

Very much so. In fact, it already has.

I use deep POV (point of view) so my stories are told through the eyes of whichever character's head I'm in during a particular scene. This includes introspection as well as dialogue.

I do NOT channel my characters. I'm a writer, not a medium. But if the character wouldn't think it or say it or notice it, if it's not part of his/her inner world or his/her realm of experience, it's not in his/her scene. As a POV purist, I use only one set of eyes per scene. I like the discipline.

In my erotic romance book, THE PICKUP LINE, the heroine, Blue Heron, is a "kickass" potty-mouthed fem, who also happens to have some gender confusion issues. When I'm in her POV, I use only her foul-mouthed perception of the world. For this reason, the reader may not always find the character attractive or sympathetic. She is not a "rose-colored glasses" romance heroine. Hopefully, though, she's a realistic portrayal of a young woman of our times.

Louisa

Sunday, August 20, 2006

Little Miss Sunshine

Just returned from seeing this film at a small artsy fartsy theatre and had to spread the word--this movie brought a burst of thunderous applause from the audience during closing credits. I was laughing so hard, I exited the theatre still snorting into a raggedly Kleenex. A woman passing me on the sidewalk directly outside stopped me. "So--did you like it?"

--Loved it!!!!--

Everyone behind me repeated the same refrain. Some people were quoting dialogue lines. Others were singing the closing song "Super Freak". (BTW, very apropos.)

Want to see a character-driven story? Want a film that understands how families really work? Want to celebrate your own family's dysfunction? Just want to laugh 'til you snort into a raggedly Kleenex? Go see this film!!

Here's a link to the review from the Boston Globe: http://www.boston.com/movies/display?display=movie&id=8859

After a summer of pretenders, this one is the real deal.


Louisa